Lupita is EVERYTHING, But Lupita Can't Be Everything

I am a Lupita Nyong'o fangirl. Ever since awards season began and Lupita Nyong'o began gracing our screens every week, slaying us with amazing outfits, witty repartee with droll red carpet interviewers and sweetly sincere acceptance speeches, I was hooked. That is the power of a well rolled out Oscar campaign and a genuine superstar in the making. My official hashtag became #LupitaisEVERYTHING and each awards show she lived up to and exceeded that moniker, culminating in her Oscar win on March 4th. 

Since then there's been a flurry of articles about her importance to young women of color as a dark-skinned woman, her role in progressing black actresses and what she will do next. The #LupitaforMAC hashtag was trending on Twitter as women of color rallied support around having her as a spokesmodel. Chimanada Ngozi Adiche has hinted that she will be starring in a adaptation of her book Americanah. And there's rumors she will play a role in Star Wars Episode 7 which is in development at Disney. Personally, I prioritize her being in films rather than as campaigns but either way the clamor for Lupita is both awesome and disturbing. 

Although I want Lupita to play everything from a super spy to an alien to the lead girl in a romcom, Hollywood (and our society at large) has a tendency to elevate one person of color and dust off their shoulders and pat themselves on the back for a job well done. For example, during the kerfuffle over the casting of Rooney Mara as Tiger Lily in the upcoming Peter Pan adaptation, the producers shot back at detractors that they had considered Lupita for the role. This statement was supposed to end the argument. We looked at a bunch of white women and Lupita so we engaged in diversity. First off, Lupita is not a Native woman so deigning to consider any woman of color is not an appeasement and secondly, I worry that statements like this will become a trend. Rather than opening doors for Black actresses, Lupita's success could close off avenues because of how Hollywood operates. They've found their Black It Girl and if she's unavailable or "not right" for the role, execs can shrug their shoulders and say "We tried you guys! We talked to Lupita!" So while I'm about that All Lupita Everything life, I urge everyone to remember all the other exemplary Black actresses out there and push their careers forward as well. Go and take a look at pictures and clips from the ESSENCE Black women in entertainment luncheon. Yes Lupita was there (and she spoke wonderfully about skin color and representation) but there was also Danielle Brooks, Samira Wiley and Nicole Beharie. The former two are on Orange is the New Black and the latter is the lead on Sleepy Hollow, all are Juilliard educated. There's also Teyonah Parris and Tessa Thompson who are starring in the Sundance hit Dear White People. Let's stan hard for all these women. Because Lupita can't be everywhere at once. And we have to push Hollywood to understand that one doesn't represent all. 

3 Reasons We Should've Known How the Golden Globes Were Going to Go Down

Despite years of evidence to the contrary, people of color went into this year's Golden Globes with excitement and hopeful hearts. This is the year of Black film after all, with movies like 12 Years A Slave receiving critical accolades and even The Best Man Holiday managed to come in second only to Thor 2 in theaters even with its "race themes". So imagine the collective outrage when we watched stellar performances by Lupita Nyong'o and Chiwetel Ejiofor go unrecognized. Or watching in dismay as Steve McQueen was overlooked for his direction and John Ridley for his writing. It was disheartening but luckily folks did not walk away with heavy hearts and the media has been forced to take note of the lack of diversity in both the films and the Hollywood Foreign Press. Still hindsight is 20/20 and there were signs about how this was going to go down:

1.  The best television nominees: Both Andy Samberg and Taylor Schilling were nominated for Golden Globes for their roles on Brooklyn Nine Nine and Orange is the New Black, respectively. This was a big deal as Brooklyn Nine Nine is a relatively new and unknown show and Orange is a Netflix original so it does not have a major network backing it. Furthermore, both shows feature ethnically diverse casts. So that was our first sign. Despite the fact that both shows have received praise for their largely PoC casts, none of those actors were nominated for supporting actor Golden Globes. Arguably, Orange's most memorable characters are Uzo Aduba's Crazy Eyes and Laverne Cox (a trans woman of color) as Sophia Burset. Yet only Schilling was nominated. Even creator Jenji Kohan has been outspoken about wanting Orange is the New Black to be about the Black and Latina women of the prison but knowing that the show would not sell to the industry without a White lead. 

2. Chiwetel & Idris being nominated: I was elated (elated!) to see that both Idris Elba and Chiwetel Ejiofor were both nominated for best actor in the film and television category. Having seen Mandela! and 12 Years A Slave as well as the actors' turns in Luther and Dancing on the Edge, I thought, "Yes! The Hollywood Foreign Press gets it." I figured Chiwetel would win for film and Idris for television because who could deny Idris' morally ambiguous John Luther (the HFPA and Emmys ate it up for years with Hugh Laurie as House) and Chiwetel was a revelation as Solomon Northup. All tied up, easy peasy. But of course they were never going to win. Either their performances would split the vote or they were thrown up there as symbols, either way it was a bone we too easily reached for. 

3. The Hollywood Foreign Press Association: The past year has been marked by some injection of diversity into the Academy of Motion Picture Arts and Sciences so people have been looking to this year's Oscars and the Golden Globes to show those changes in both the selection and the recipients of these awards. But the HFPA is a much smaller pool. It's comprised of about 90 members and although a bit more diverse in its ranks, it's members are still largely from Europe and also male. Unlike American Hustle, there was nothing sexy about 12 Years' sex scene where Michael Fassbender rapes Lupita Nyong'o in a scene that feels never-ending. And there's something truly groundbreaking about Steve McQueen's decision as a director to never turn away from that brutality. 

At the end of the day, no one is saying that Golden Globes or Oscars or any awards should be given to people of color because they are minorities or because of some perverse affirmative action. What we are saying is that it is 2014 and the gatekeepers are still White and male. The oppurtunities go to those who are mainly White and/or male. And as Rowan Pope said this season on Scandal, we still have to work twice as hard to get half of what actors get. I know acting is subjective. I was moved by Michael B. Jordan's portrayal of Oscar Grant and Naomie Harris' Winnie Mandela as well as Adele Exarchopoulos in Blue is the Warmest Color and none of those actors were even nominated but it's more likely that Adele or Jennifer Lawrence will be at the Golden Globes next year (whether they are nominated or not) because they are what we think of when we think of Hollywood, beautiful, White starlets. And despite an audience that is clamoring for diversity and big numbers for television shows and films that are providing that, at the end of the day the industry is still lagging behind. As Alfre Woodard said, 

You know when we'll know things have changed? You know that brilliant, stunningly beautiful and poised Lupita Nyong'o? 12 Years A Slave is an incredible launch to a career. And this is her first thing. We will see if [as opposed to] another brilliant actress Jennifer Lawrence, we'll see the trajectory of [Lupita's] career path and what she's offered after that. Then we'll know whether things have changed or if Lupita is consigned to playing a second banana ensemble person for the next ten years. 

So far Alfre's words seem like an omen. The ball's in your court Hollywood. 

The Lost Demographic: What My Black Mom is Watching on TV

When I entered the kitchen this morning, my mom was watching a rerun of Family Matters ... I know. Family Matters y'all. While I look on shows like this it's with nostalgia and a bit of wistfulness to my mom this is regular television viewing. 

Now this part is for the TV execs, so listen up. I know my mom isn't part of your hallowed 18–49 demographic but somehow CBS is always number one despite the fact that is mainly watched by the 60+ set so maybe it's time to think outside of the box since my contemporaries are running away from traditional television. And when it comes to older women of color like my mother, you've really dropped the ball. If I grew up in the so-called "Golden era" of Black television when shows like Family Matters, Cosby Show and The Fresh Prince of Bel-Air ruled their airwaves, that was all my mother knew. She knew Good Times and Julia and Sanford and Son and that only got better as the 80s and 90s went on. The late 90s and early 2000s saw a dramatic shift in media representation of people of color and the loss of networks like UPN and the WB which focused largely on Black sitcoms. And my mom and older women of color like her, never went back. Outside of her "stories" or soap operas (which are also being phased out), my mother actively watches reruns of Black television shows. Recently, she's started watching Scandal, though it took me over a year to get her to watch an episode because she initially wrote it off as being another "white people show" despite the fact that it is produced by and stars a Black woman. And I don't blame her initial reaction. 

The truth is over the past 10-15 years, Black people have been relegated to the sidelines of television. We are the sidekicks, the best friends, the diversity hires. No wonder everyone gasps in astonishment when shows like The Game premiere on BET to record breaking numbers or when "race themed" movies like The Best Man Holiday top at the box office. Executives have forgotten how shows like The Cosby Show were once the cornerstone of network television but people like my mom haven't forgotten and they'd rather watch reruns than take in media that doesn't represent them. Recently, things have started to shift slowly back. We are seeing people of color heading up casts and their characters being treated like actual human beings rather than props for the white characters to emote around. But will we ever get back to a place where an all-Black family on television isn't seen as just a show for Black people? Will we get back to a place where my mother sees herself reflected on television and others can see the universal humanity in a Black family?